Concerto Ring-A-Levio (A Percussive Concert for the Stage)

by Lonnie Carter

TIME: 2003

PLACE: Chicago, China, Revolutionary War Boston, Gullah-Geechee, Carolina, Afghanistan, Victory Gardens Stage

CHARACTERS: Historical Figures, Historical Figures of the Imagination and a Chorus of ambidextrous Ambipsychics

CHORUS

Concerto Ring-a-Levio – a mouthful – say it loud

The Rock of Ages Concert swinging low and high

A Show of Sweetness that chariots back and forth and proud

Sophisticated gents and ladies all – o my!

Let us sing you stories from around the globe

in times present and past

Stories of heroes to touch your heart and challenge your frontal lobe

stories that last

We sing these tales here and now from our fair city

For the here and now,

‘though some aren’t pretty,

All of courage big and small,

chosen for their vantage view and point

Idiosyncratic, just like you, and you, and you with the joint

Tales of Phillis Wheatley, poet of the Independence War

The first woman of color -

did you say ‘color’? -

to publish her poems

The patron saint of ALL Women-Americans in the arts

Wait ’til you hear her chant “Europa” showing the founding of Europe

in all its fits and starts

And tales of Lem Louis Gulliver, South Side slammer-poet-preacher and more

And his twelve year old daughter Baby Glo In-The-Know

We’ll let him speak for himself, as the time arrives, givin’ us all what-for

And the little one, B Glo, well, she got some tricks in store

And there’s a trip to Beijing, China and one to Gulla Geechee, Carolina

We made sure your passport’s up-to-date

No three hour stand-in-line – seventy-five minutes and you’ve passed the

go-gate

CONCERTO’s pure of heart and pure of thought – almost

Cane sugar bubblin’ brown, sweet butter for your toast

Stand back away from your televisionary sets, boys and girls

This here’s live Cirque de Ole right back achoo in the HippeHoppe-o-Drome

Comin’ for to carry you home

Who are we, and you, and you, and you with the joint

We don’t know that answer, but to the point

we can tell you what we dig and do

We dig Teatro Latino

Se habla mucho ‘Spagnole

Moviemy dobrze po Polsku

we speak Polski like Stashu the Pole

We infuse the Tower of Baybel with the Power of Sayble

‘Cause at the end of the rage

we bring to the table

We’re on the same page

And our Mom’s name is Mabel

Here we are in Cheek Cheekago

La Raza y Dziennik Chicagoski

Chillin’ at Sterches – No Corona, no foolish drinks, limited dancing -

watchin’ Sammy through a couple Brewski

Just like Adlai Stevenson said – living in the flat Midwest

We be so lucky, we can see so far in all directions – it’s the best

We fre- QUENT the Harold Washington Li – BRAR – y

We party at the Buckingham colored lights fountain

did you say ‘colored’?

We dig the soulgigs at the clubs on Prairie

We pray at St. Pat’s and hear the Serm on the Mountain

We appreciate the Filipina nurses at Cook County Hosp

Sayin’ nothing bad ’bout anyone else, we prefer their humanity to the

occasional Wasp

We slam the Green Mill Slams

and are awed by Granddaddy Slammeister’s lyrical brain

- Uptown is to urban what Glencoe is to ‘burban -

We head on Southwest for Jamaican insane

scarfin’ the Shack’s jerk chicken and yams

We’re young and old between and betwixt

So old we can still smell the Stockyards

In every ‘hood, South Side, North, West and Southeast mixed

we hear the hundreds, thousands of corner tavern bards

We hang at 67th and Marquette

We know Bridgeport and the rooms to let

We’re toolin’ past 95th and Stony I

We’re rehabbin’ the haciendas on South Shore Driii

We stayin’ clear of the jail at 26th and Californ– I -Cate

We hoppin’ the bus at the Jeff Park turnaround, we won’t be late

We love the CSO and the lawns of Ravin-I – YA

We mourn the loss of the Fine Arts movie shed on South Mich

and one more time is our fondest wish

to see its sexy foreign CIN – E – MA

We know it’s – SOLDIER, not Soldier – S Field

We ain’t no Second City, to no Cleveland will we yield

We walk the Oak Street Beach

Black, brown, yellow, white and red

and we may not love one another

But we have come to respect the Di-Verse – i -tee, each to each

From Halsted and Di-VERSE-EE

From Pulaski, duh, Crawford – who he?

and Western up and down from South to North

Let us all come forth

All ’round the U of C, we quit splittin’ the atom

Don’t you know we all got to eschew dat ratatattatum

From Louis Farrakhan to Hizzoner Weekly Monthly and Yearly

They be in office and mosque for life on their oath

Sometimes it seems the rest of us, gee golly and merely, exist at the

pleasure of them both

We comin’ full circle from the U of I school

We think ITT is cooler than cool

We went to Loyola, for a year it’s true

Attended Wright and Truman too

And we recall DePaul

When Ray Meyer ruled B-Ball

Taught a course at Roosevelt

When the snows for Bilandic wouldn’t melt

We cannot forget Jane Byrne

an elegant lady with a lot to learn

We so old we knew Louis Terkel before he was Studs

We so old we knew the Reverend Jesse Louis This-Distributorship’s-for-you

Jackson

before he was Bud’s

“When shove comes to push

Operation Busch”

We so old we remember the night Lenny Bruce

got nabbed at Mr. Kelly’s

for saying that when some nun

ascended into heaven

her diaphragm fluttered to the street

We so old we remember Dick Gregory playin’ a club

off Rush Street chain-smokin’ his Kents

and still eatin’ meat

We so old we saw Nelson Algren on his Wild Side

and his prototype Golden Arm Man

by the Polish Roman Catholic Union

on Milwaukee Avenue

and Nelson said, “Sit here and type on my Underwood

and feel where ‘Never Come Morning’ comes from”

We so old we drank with James T. Farrell

as he gave us Studs Lonigan

and Carl Sandburg, before the Village,

poetized the City of Big Shoulders

and Royko the Mike gave us his col-umn

And who now will Rappicize the Young Black Drummer Boys

it will be us

because we are so young

the young black drummer boys

at State and Madison

beatin, and beatin’ and beatin’ every drum

And who now will lyricize the sellers of Street Wise

the rhymer and chimer outside the Art Institute

the mother on St. Peter’s sidewalk on Madison with her children in tow

she losin’ her teeth by the handful each year

we all God’s chillun, don’t you know

the good Lord willin’

we hear a rum-a-tum-tum,

But do we hear the voice of Gwendolyn Brooks

Chicago’s gift to the nation’s poetry-at-large

and now that Gwendolyn’s gone

well, we knew where we were

with Gwendolyn in charge

We need some respite, some solace, some down home cookin’

We want it all here in Linkin’ Blinkin’ ‘ n Bod Park

we’re goin’ to Barbara’s store to do us some bookin’

We gettin’ loose, shedding the uptight

and later on tonight

We’ll head on down to the ghost of Maxwell Street

and see if they’re still selling

Then Ravenswood El up to Armitage Street

and hear, Hendricks, Murphy, Mahagony and Elling

Concerto Ring-a-Levio, a mouthful, say it soft

Let it reverberate to every basement and loft

A Transfiguration of your expectation

A reaffirmation of your confirmation

Of the power of the written, spoken, all sung-word

For intelligent children of all ages – now you hear it -

Now – it’s – heard

We are Chicagoans proud, confronting the world

and trotting the globe

We are Chicagoans loud,

Let us touch both your heart and challenge your lobe

The Rock of Ages Concert swinging low and high

Sophisticated gents and ladies all – o my!

From Phillis Wheatley, poet of the Independence War

To Lem Louis Gulliver, slammer-poet-preacher and more

Not us -

but you are the one

And thus – we have now – begun

About Guest Author

Experts from around the world write excellent and insightful articles for the Boles Blogs Network. If you are interested in writing with us, hit our Contact form to get in touch. Follow us on Twitter @bolesblogs for all new article updates and links!
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